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skip to content nathan j hulse – bass player website and blog of bass player nathan j hulse menu blog – latest about gigs photos contact posts posted on june 3, 2019 june 3, 2019 yester-me, yester-you, yesterday | james jameson bass cover and transcription motown was a huge influence on me, and probably many others due to the fantastic bass, mostly created by james jameson. there is a book all about jameson, with many transcriptions, albeit some have errors. i purchased this book with accompanying cassette tapes. it now has cds, or even a link to mp3s. i decided to try and transcribe a track not in the book. there are parts where its quite difficult to hear quite what note is being played. bar 7 is the one is this track. there is a drum hit which obscures the notes. it was bars 34/5 and 54/5 that made me want to transcribe the track. click the title below for the transcription. if you’d like a tab version please contact me. yester-me,_yester-you,_yesterday posted on may 11, 2019 house of fun – madness when i was at junior school, i think it’s call year 5 now, madness were in the charts. i used to jump about to their music. the bass lines are very effective and really help keep movement in the tracks. i decided to transcribe the bass line to house of fun. the bass player was mark bedford. there are only a few patterns in this, other than the middle section. the chorus is different each time, which i would never have known if i’d not decided to listen carefully to the track. it seems to be played with a pick, which i copied in the you tube clip below. i could play it using the open strings to limit movement on the neck, i just felt it had more heft to it without the open strings. click on the title below for the transcription. if you’d like a tab version email me and i’ll get one to you. house_of_fun posted on may 2, 2019 the wonder of you – elvis presley – jerry scheff’s bass line the wonder of you was one of the first bass lines i learnt when starting out on bass. which means it’s not a difficult bass line at all. i still see people get it musically wrong. many years later, i’m now playing this song with an elvis tribute act. this is transcribed from the elvis presley single version recorded in february 1970. the main reason i decided to transcribe such an easy line, was that one day, i noticed a low e during the guitar solo. i never played a low e. i wondered how much more i’d missed. not many players aim to play it as the recorded version and that’s fine by me, i like to get close and certainly in the style of the original recording. i think that is what helps a tribute artist stand out from the rest. it’s great getting one part correct, but if the rest is wrong, it won’t sound as close as it could do. click the title below for the transcription. the_wonder_of_you posted on december 8, 2018 december 8, 2018 never been to spain – elvis presley – bass transcription working with an elvis tribute artist (eta) lee memphis king (lmk) i play lots of elvis music. jerry scheff who played during the 70’s with elvis was a favourite bass player of mine even before i started working with an eta. the version of never been to spain lmk wanted the band to copy was from the box set elvis : live in las vegas. most people would probably be more familiar with the madison sq garden version. it has a few different bass patterns jerry uses for each verse and solo. the whole song builds to a huge climax at the end and jerry’s bass part does a similar thing. i kept getting some of the patterns mixed up, was it pattern a for this verse or the next verse. so i decided i would write it out. it always seems simple when you start, then the bass disappears in the mix, there is interesting timing to work out and so forth. for me a great excise to help with reading music as well. a skill i don’t need to do that much, yet one i still try to keep going by transcribing and reading music. i’ve not included all the slide jerry does in the music, the notes are there. if you listen to the recording, you can hear the slides. i may go back and add them at a later date. the main thing for me was getting those different patterns down. while transcribing this i was also more aware of some of the rhythmic lines jerry does, in this example going from e to a. he follows the drums quite closely, my backing track i think is based from the madison sq garden recording, so the drum fills are different and don’t quite match up. i hope you may get some benefit from this as i did writing it out. never_been_to_spain posted on july 13, 2018 july 13, 2018 ray brown’s all the things you are bass transcription i’ve been told to progress in jazz we need to listen and copy other players. exactly as we learn to speak, we then use all this information to create our own sentences or bass lines. ray brown in one of the great upright jazz bass players. i found his version of all the things you are, which had a few ( well a lot actually) nice lines in it, so i decided to transcribe those parts, or verses containing the lines i like the sound of. the song is played at quite a fast tempo for this song. in the first verse the section over the ii-v-i (bars 17-20) are particularly interesting. i also liked the sequence he used in bars (61-63). there’s a lot more to it, but i think analysing it yourself is much more useful than someone doing it for you. i certainly has given me many more ideas when playing walking bass lines. anything part you like in this. i’ve only written the chords over the first verse. also note, i used irealpro for the backing, which meant i couldn’t replicate the same turnaround in the first verse, but it’s written in the music. all_the_things_you_are – click title to open transcription posted on june 22, 2018 jazz blues with charlie parker’s billie’s bounce my walking bass lines particularly over the jazz blues progression all seemed the same, so i decided i needed to do something about it. i’ve studied some charlie parker sax lines which mostly full over jazz blues, at least the lines i’ve currently looked at have. the next thing would be to listen to the bass line on these recordings and listen to lines i could use in my own playing. i find it easier to write them out, that way i will always have a record of them to look at. of course, these old recordings don’t have the best sound sound separation as more modern recordings. picking out the bass was really hard in places. for this reason, i only transcribed the first 4 progressions (48 bars). curley russell is the bass player. one thing to note in the transcriptions is that i have written the standard jazz blues chords over the top, the charlie parker omnibook, doesn’t have this track as a standard jazz blues, irealpro, which i used in the youtube clip, uses the standard jazz blues progression. you can hear a few clashes. particularly bar 26, where curley russell plays a, the usual sequence would be bb. also we don’t hear the diminished chord in the sixth bar as usual. billie’s_bounce – click for music pdf posted on june 12, 2018 june 12, 2018 locked out of heaven – bass cover with transcription my most recent youtube upload and bass transcription is bruno mars’ ‘locked out of heaven’. this was played by nick movshan who isn’t the regular bass player with mars. like my previous post of ‘sign sealed delivered’, this is again popular for function bands. i decided it would be an interesting one to transcribe. not too difficult. in the breakdown section towards the end, i wasn’t entirely sure what was the electric bass, and what was covered by the synths. i’m quite sure that bars 58-61 didn’t have the octave jump on the bass part as earlier in the part, instead, it sounded just like the synth bass playing the octave. also the breakdown section i added a bass part closest to the recording, i would play if on a gig. locked_out_of_heaven click for music posted on june 5, 2018 june 5, 2018 bob babbitt’s sign sealed delivered bassline transcription | s

URL analysis for nathanjhulse.co.uk

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http://www.nathanjhulse.co.uk/house-of-fun-madness/
http://www.nathanjhulse.co.uk/about/
http://www.nathanjhulse.co.uk/wp-content/uploads/2018/07/all_the_things_you_are.pdf
http://www.nathanjhulse.co.uk/wp-content/uploads/2019/06/yester-me_yester-you_yesterday.pdf
http://www.nathanjhulse.co.uk/page/2/
http://www.nathanjhulse.co.uk/never-been-to-spain-elvis-presley-bass-transcription/
http://www.nathanjhulse.co.uk/contact/
http://www.nathanjhulse.co.uk/yester-me-yester-you-yesterday-james-jameson-bass-cover-and-transcription/
http://www.nathanjhulse.co.uk/wp-content/uploads/2018/12/never_been_to_spain.pdf
http://www.nathanjhulse.co.uk//javascript:void(0);
http://www.nathanjhulse.co.uk/joss-stones-l-o-v-e-bass-line-by-raphael-saadiq/

http://www.nathanjhulse.co.uk/gigs/
http://www.nathanjhulse.co.uk/wp-content/uploads/2018/06/locked_out_of_heaven.pdf
http://www.nathanjhulse.co.uk/bob-babbitts-sign-sealed-delivered-bassline-transcription-stevie-wonder/

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Domain name:
nathanjhulse.co.uk

Registrant:
nathan hulse

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Unknown

Registrant's address:
22 Morley Hill
Middlesex
Enfield
EN2 0BJ
United Kingdom

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

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123-Reg Limited t/a 123-reg [Tag = 123-REG]
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Relevant dates:
Registered on: 14-Jul-2008
Expiry date: 14-Jul-2017
Last updated: 23-Jul-2016

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  ARGS nathanjhulse.co.uk

  PORT 43

  TYPE domain

OWNER

  ORGANIZATION nathan hulse

TYPE
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ADDRESS
22 Morley Hill
Middlesex
Enfield
EN2 0BJ
United Kingdom
Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 10-Dec-2012

DOMAIN

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  CREATED 2008-07-14

  CHANGED 2016-07-23

STATUS
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  NS.123-REG.CO.UK 212.67.202.2

  NS2.123-REG.CO.UK 92.51.159.40

  NAME nathanjhulse.co.uk

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